Dance Routine Remix

Need a remix for your dance routine? Want to fuse pop, classical and dub step to help support your choreography? Know what you want but don’t know how to do it?

Well if you are answering yes to any of the questions above then drop me a line – let me know what you want to achieve and by when. Try to be as clear as possible, so let me know what songs you want to have included in the mix, how long it needs to be and any particular style of transition you like.

All initial remix requests will be carried out for credit only and no fee is expected as this will be done to help build a portfolio of work.

Inside the Evans Echopet EP-100

Here are some photos taken of the inside of my Evans Echopet EP-100. The machine is built to last and some of the screws were incredibly difficult to undo – I guess they’ve not been undone in around 30 years! Even so you can see that the Echopet only has a couple of integrated circuits and the printed circuit board is well spaced out. Also all of the potentiometers are soldered directly onto the main PCB making it tricky to manoeuvre.

Evans Echopet EP-100

Here are some images of my lovely Evans Echopet EP-100. This glorious Japanese analogue delay makes some wicked raw lo-fi tones and has added a certain crunch to a number of my tracks in the past.

What I learned from 8bit Lounge

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On Tuesday 10th April I packed my iPads, mixer and headphones in a bag and set off to the Hare and Hounds in Kings Heath to play a few tunes at this months 8bit Lounge. For those not in the know, 8bit Lounge is a clash of retro computer games, beer and computer / electronic music.

The night is well attended, pulling in folk interested in the various aspects of the event and spirits on the night were high – especially for a Tuesday night.

Once all of the gear was setup a chip tune mix was ran through to get folk into the computer gaming mood. There were enough 8bit beats and bloops played played for an hour or so to make a Nintendo fanboy go weak at the knees.

Once the chip tuneage had subsided Paul Kent (pictured above) treated those gathered to a quirky mix of ambient drones and textures deftly coaxed from a small collection of battery powered devices. Korg Monotrons and MonoDelays were teamed with a Nintendo DS and misbehaving iPhone (amongst other things) to generate a collage of sound that often gently throbbed and then occasionally assaulted your ears with a swift sonic shock. Every now and then a simple melody would layer over the top of the undulating noise, providing another dimension that helped to make sense of what was unfolding. All in all Paul delivered a performance of subtle character that I thoroughly enjoyed.

He eventually gave way to me and a chum playing electronica tunes which regularly offered up computer game or 8bit references. The iPads and meta.DJ were in full effect as we played alternating tracks. What we realised from this playing a track at a time is that we struggled to develop a theme between the pair of us and that the music jumped around a little more erratically than would do if one pair of hands was in control. Also it became easy to lose track of when a song would be coming to a conclusion and what that would sound like if you hadn’t cued it yourself.

So in short the first lesson learnt was to not alternate tracks for an extended period.

We also found out that people really do still enjoy hearing electronica, IDM, glitch (or whatever you want to call it) out and about and that there needs to be access to more of this kind of happening to satisfy this interest. I was concerned that due to a seeming lack of high profile nights (especially in Brum) that this scene was dead. Actually it just needs more people playing this kinda stuff.

My last lesson was that it’s far easier (and in some ways more satisfying) to mix your own music in with more established artists and look to the audience reaction. When playing live you are too absorbed to fully appreciate what’s going on and it can be hard to read whether your music is being enjoyed.

Sonall in all I learnt some valuable lessons from 8bit Lounge which I’ll take with me the next time I dust off my iPads and play out.

My iPad DJ (bitJockey) setup

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Here is a photo of my bitJockey setup. I say bitJockey because no discs are used when playing the music and I know folk that DJ using records get a little bit sniffy about using the DJ term – although some were used in the encoding process.

My setup includes the following hardware:

  • first generation iPad
  • third generation iPad
  • Numark IM1 mixer
  • pair of Sennheiser headphones

And the following iOS apps

  • Meta.DJ
  • Looptastic
  • Korg iElectribe
  • Glitch Machine
  • Animoog
  • iKaossilator

I predominantly use meta.DJ as this allows me to run up to 8 virtual decks simultaneously with great sounding effects and decent (if not amazing) stability. Meta.DJ also allows you to sync to a midi clock master but I’ve only managed to get this working with a computer (which I was hoping to leave at home).

I’m gonna continue developing my bitJockey-ing skills over the coming months and hope bleeping the heck out of local sound systems in the coming months. Watch (or listen to) this space for further info.

Two iPads, One Mixer – my new bitJockey (DJ) setup

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Here is a photo of my bitJockey setup. I say bitJockey because no discs are used when playing the music and I know folk that DJ using records get a little bit sniffy about using the DJ term – although some were used in the encoding process.

My setup includes the following hardware:

  • first generation iPad
  • third generation iPad
  • Numark IM1 mixer
  • pair of Sennheiser headphones

And the following iOS apps

  • Meta.DJ
  • Looptastic
  • Korg iElectribe
  • Glitch Machine
  • Animoog
  • iKaossilator

I predominantly use meta.DJ as this allows me to run up to 8 virtual decks simultaneously with great sounding effects and decent (if not amazing) stability. Meta.DJ also allows you to sync to a midi clock master but I’ve only managed to get this working with a computer (which I was hoping to leave at home).

I’m gonna continue developing my bitJockey-ing skills over the coming months and hope bleeping the heck out of local sound systems in the coming months. Watch (or listen to) this space for further info.

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Bring Your Own Beamer Birmingham – good times

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Bring Your Own Beamer (part of the Flat Pack Festival) on the 16th April was a resounding success. Organised by Antonio Roberts and Pete Ashton; a wide range of artists participated making Vivid a kaleidoscope of colour, light, movement and bodies. The space transformed from white box into a multimedia assault on the senses.

I was lucky enough to be adding some musical accompaniment to the event following Bobby Bird from Higher Intelligence Agency / Modulate and managed to cram a wide range of electronic tunes (inspired by the visuals) into the hour and a half slot as possible. My mixing skills were rusty (having not aired them for some time) but people were responsive to what I was putting out and forgave some of my ham fisted mixes as the tunes were more important than how they were diced together.

I’m looking forward to playing more out with my iPads and mixer and hope to catch you at some in the not too distant future.

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Bring Your Own Beamer Coming to Brum

Bring Your Own Beamer (BYOB) hits Brum on the 16th March 2012.

The free event invites digital artists with projectors to show their original works in Vivid as part of the Flat Pack festival. I’m also pleased to announce that I have been invited to provide some digital audio accompaniment to the proceedings.

I’ve dusted off the laptop, got the Launchpad launching and am chopping up audio in Ableton Live in preparation.

For more info about the event click here.

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